Peter Gutiérrez

Peter's non-fiction, short fiction, poetry, and comics have appeared in numerous publications. Recently these have included The Financial Times, Rue Morgue, Screen Education, BookShelf, Graphic Novel Reporter, School Library Journal, Shantytown Anomaly, and ForeWord Magazine, where he is the graphic novels columnist. His book on scriptwriting will be published by Scholastic in 2010, and his 2009 speaking gigs include San Diego Comic-Con, New York Comic Con, Media Conversations VI, Fordham University's Graphica Conference, the Science Fiction Society of Northern New Jersey, Kids' Comic Con, the Maine Comics Arts Festival, the Massachusetts Library and School Library Annual Conference, and the annual convention of the National Council of Teachers of English. Twitter = @Peter_Gutierrez; MySpace = peter_gutierrez; LinkedIn = /in/petergutierrez
(Page 1 of 20)   
« Prev
  
1
  2  3  4  5  Next »

 Articles by this Author

When does a horror series stop being a mere “franchise” and start becoming something more -- something archetypal or, to fans of the genre, even iconic? ...

New Line may make an English-language version of The Orphanage (2007) with Guillermo del Toro producing.  A rhetorical question comes to mind:  why is this necessary? ...

Transgressive Film in Oscar Run

The second feature film directed by Gyorgy Palfi is said to both shock and impress ...
Does the success of Rob Zombie's flick underscore the box office draw of serious-minded horror films?  We'd like to think so.

Why does Michael Myers walk so slowly and stand so still?  Could he be mimicking the gentlemanly airs of the fox hunt and a Midwesterner's vigilance at the deer stand?

Horror films and thrillers feature prominently in Premiere.com’s top 20 movie twists of all time.  Does that come as a surprise to anyone?

Red Road: DVD Review

The Cannes-honored thriller is dark, masterful, and fearless for most of its running time; then it turns into something that’s… well, not a thriller.
Fay Wray, the actress best known for her role in King King (1933), is the subject of renewed worldwide interest.
The Weinstein Company is following up the success of their Zombie flick with a zombie flick ...
The only sure way to hurt Michael Myers:  remind him of where he comes from...