An artist takes the concept of "sacrifice" a bit too literally.
There's plenty
to love about "Drawn and Quartered," as long as you don't think too
hard about the anticlimactic ending and unresolved plot points.
Maybe it's just
me, but I found the mystery of what Henry saw in Maya to be much more
interesting than the mystery of who was killing the pretentious gits...I mean,
the corpses of the week.
As Vicki noted, Maya didn't exactly fit the
description Henry gave, and that got me curious.
I was pleased
that the answer was something much more interesting than his having fed from
her or slept with her. This storyline gave us a new understanding of the
difficulties of his life and he gained a depth
this week that I enjoyed seeing.
Poor guy! He
remembers Maya as a sweet little girl who he obviously adored, and he was
thrown out of her life like a divorced father. His reactions made perfect sense
and were touching to see.
And the scene
where Maya describes the monster in her painting and her dream...that was
amazing. I gasped when I realized that the monster was him. I absolutely didn't see that coming and it brought a tear to
my eye for Henry.
On the other end
of the emotional spectrum, the opening scene with Henry and Vicki breaking and
entering was hilarious. From Henry's comment about the rats mating to Vicki's
dazed look to her coming back to her senses, I loved the entire thing. It's
very Vicki that his vampire powers don't work on her, but she can be completely
thrown for a loop by a compliment and a request for a date.
I also liked
Henry saying "You'll give me an honest opinion." I just wish we'd
gotten to hear that honest opinion,
because I was curious.
Which leads me
to my biggest peeve with this episode: The rushed ending and the lack of
resolution for several storylines. After all the buildup, Henry running in and
ripping the canvas was a letdown.
And I still don't understand several things.
For instance, why
did the Edward Franklin kill those two men? Sure, they were pretentious gits,
but is that why they were killed? For that matter, if Franklin was haunting the
blank canvas, how did he get into the others?
And what was the
meaning of Maya's final painting? She looked happy, so presumably we were
supposed to understand that she'd finally healed, but how and why? If she
understands that the monster from her dream is Henry, shouldn't she be freaking
out instead of smiling? And what in the world helped her heal? She wasn't there
for the showdown, so as far as she's concerned, there's still a murderer out
there killing people in the art community, two of them men she'd slept with!
Lastly, the
episode closes with a final corpse and no explanation of how Mike is going to
close a case in which the murderer was a dead painter's ghost stuck in a
painting. Even a moment in which we see him say that he can't close the case would have been enough, but we didn't get it.
I think the problem
is that this episode tried to do too much. In 44 minutes, the writers tried to
advance Vicki and Henry's relationship, give us insight into Henry's life and
past, show the problems Mike is having with all the spooky stuff, give Coreen a
moment in the spotlight, and, oh, also have some murders and explain who the
murderer is. "Drawn and Quartered" is a nice attempt, but it doesn't
quite pull it off.
Having said all
that, I still enjoyed the episode. If nothing else, getting to see Vicki in a
dress made it worth it! And I loved Coreen's storyline, even if I knew
immediately that Tyrone was going to be the bad guy.
Her first scene
at the showing with Tyrone was Coreen being introspective about her goth lifestyle
the way I wanted her to be in "Bugged." I loved her insight about the
art and how it's all "trying too hard, look at me, I'm dark, I'm
depressed, I'm gonna cut my ear off."
And Dr.
Mohadevan's short scene was fabulous as always, cracking me up with "It's
impossible. Isn't it grand?"
Even though I
knew immediately that the painting was evil, it was still a spooky episode.
Seeing the face come out of the painting made me yelp, and I jumped when
Pretentious Git #2 was yanked into the painting.
There was so
much going on in this episode that I could probably come up with five different
take-home messages. But I think in the end it all comes down to something Vicki
said: "Talismans don't kill people. People kill people."